Characteristics of Baroque Music

The Baroque music period was between 1600 and 1750, after the Renaissance. It was characterized by contrast, layered melodies, monody, dynamics, and ornamentation. It also aided the rise of instrumental music.

The Baroque period saw a significant development of the musical norms and traditions that were previously known. The expanding acceptability of non-sacred instrumental music fostered invention and experimentation. This meant that ensemble sizes got bigger.

Instrumentation became more specific, composers specified which instruments should be used and when. It was during this period that compositions got more complex. Additionally, the impact of Italian opera introduced fresh drama onto the European musical scene.

Characteristics of Baroque Music

1. Contrast

Contrast, as an essential dramatic element, was employed to express the meaning of the text. This was done by the change of instrument numbers or with the change of movements, in the Baroque style.

During the Baroque period, composers experimented with contrasting musical styles. As you can imagine, they were vastly different from the music of the Renaissance period. Tonality was subdivided into two categories: Major and minor.

Throughout many Baroque pieces, certain characteristics played a vital part. This included contrasts between loud and soft, solo and group, different instruments, and timbres.

During a Baroque piece, especially in a concerto, you can hear many passages played by a single instrument. This was mostly done by the soloist. Next, followed by the same sections played by the entire ensemble. As a result, there is a lot of drama.

There has also been discussion about shifting movements. Even though that difference is crucial between movements in Baroque compositions, one continuous mood, and rhythmic pulse dominate. They aim to elicit one distinct emotional reaction, which is often called “The Doctrine of Affections”.

In other words, each segment contains a single emotion or mood that does not shift throughout the run of the song. Instead, it simply stays inside a particular mood. To establish a new mood, the song must be finished and a new mood for a new song must be developed.

2. Layered Melodies

Layered melodies were commonly used in Baroque works. This meant that two or more melodies would simultaneously follow each other in a different row. This created a counterpoint effect.

When two or more melodies are layered in Baroque style, they have their rhythm and contour. Additionally, they have to work together to make a harmonious sound. There are many examples of it in Western music and was known as the counterpoint technique.

Music composition became more complicated during this period. This resulted in a vertical alignment of tones with specific harmonic meanings. The usage of triads became an important aspect of tonality. This, in turn, offered an auditory basis or basic key known as the tonic.

The system of Major and minor key centers developed throughout the Renaissance. This was done through experimentation in tuning and interval alteration, and the creation of specific harmonic theories. However, the tonality further evolved from the use of layered melodies in Baroque music.

3. Monody

Monody in Baroque music is a solo voice singing a free melodic line extravagantly. It came from an attempt by the Florentine Camerata in the 17th century to revive old Greek ideals about melody and declamation.

In the Baroque period, no composer used the term “monody” to describe a piece of music. Music was slowly turning homophonic. This meant that it was based on a single melody with harmonic assistance provided by a keyboardist.

Today’s term “monody” in music refers to a type of single (mono) voice characterized by one melodic line and an accompanying musical backing.

This new monodic style was first used by the Florentine Camerata and a few others. They used this style for composing madrigals, motets, and even concertos.

Contrary to the polyphonic tendency to obscure the meaning of texts, composers strove to develop a new musical style. This new style was more expressive and connected to the text’s original lyrics. People started using this new monodic style, evolving into early opera.

Composers put more emphasis on correct articulation and expressive interpretation of emotional texts. Additionally, simple accompanied recitation was used instead of the counterpoint technique. So, they employed a melodic soprano line, with an accompanying bass line, to create their music. In both vocal and instrumental compositions, Baroque polyphony is split up into treble and bass parts.

By following the harmonic numbers placed above the bass part, the soloist was free to sing or play any note. To make harmony and melody work together, basso continuo (continuous bass) became more prevalent. This was due to the popularity of monodic style instrumental music and Italian opera.

4. Dynamics

Sudden changes between the extreme volume degrees (terraced dynamics) are also important characteristics.

The musical accompaniment relied on the harpsichord which had rapid dynamic shifts. This was due to the instrument’s inability to crescendo or decrescendo between loudness and softness. Singers, instruments, ensembles, and even orchestras followed these dynamics by copying the harpsichord.

With the invention and development of the piano, this musical tradition didn’t last long.

5. Ornamentation

Ornamentation was an extensive characteristic of Baroque music. This was because the dynamics weren’t as rich at the time.

For centuries, composers dictated every note to classical musicians.

It was common practice for composers of the Baroque era to demand embellishments. This included ornamentation such as trills, mordents, and turns. The ornamentation also encompassed grace notes, complex arpeggios, scale patterns, and passing tones.

The usage of vibrato was also seen as a decorative element. It was intended that the artists would also improvise, particularly on cadences.

For ages, ornaments have played an important part in music. This was due to the ambiguities in their notation and the fact that they are sometimes omitted from the score.

Instruments used in Baroque Music

The Baroque orchestra was a modest group of musicians, known as a chamber orchestra. The harpsichord and organ were keyboard accompaniment instruments besides cello and bass.

Lute, violin, cello, and double bass are examples of stringed instruments.

The recorder, flute, oboe, and bassoon were among the most popular wind instruments.  

Horns and trumpets were popular brass instruments of the era.

Timpani was employed in the percussion section in the Baroque orchestras.

The organ and harpsichord were popular keyboard instruments in the Baroque period.

Summary

Characteristics of Baroque music show the transition from Renaissance music to Classical. The contrasts show up in almost every aspect of the compositions. This is because the drama is one of the keywords of the period, except for the mood, the mood stays the same during a piece.

Layered melodies have an important role in the evolution of tonality. We also see the sudden contrasts in dynamics because of the nature of the harpsichord. The ornamentations, however, were helping to keep the music more interesting.

Arda Tuncer is a music producer, composer, songwriter, arranger, and performer. She releases music as part of the music duo, Kronik Leila. She has worked and collaborated with some prestigious orchestras around Europe, while also holding University positions as music theory professor and music research assistant. Arda studied music theory and clarinet at the Ecole Normale de Musique de Paris and completed her degree at the Conservatory of Strasbourg in France.

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